Recll Boyindelger, the Maestro of Mongolian Long Tune
（Inner Mongolia Department of Radio and Television， Hohhot, Inner Mongolia, 010050）
Key words: Boyindelger; Life; Singing; Education
Golden Holy Mountain, Invaluable Monument
——Mourn Boyindelger, the Maestro of Mongolian Long Tune
(Minzu University of China, Beijing, 100081)
Key words: Mongolian Long Tune; Boyindelger; Art educationist
Historical Monument, the Contributions of the Future Generations
——Recll Boyindelger, the Maestro of Mongolian Long Tune (Wurtindu)
(Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Key words: Wurdindu; the Style of Barghu; Art educationist
Boyindelger's Contribution to the Development of
Mongolian Long Tune (Wurtindu)
(Hulunbuir University, the Music Department, Hulunbuir, Inner Mongolia, 021008)
Key words: Mongolian Long Tune; the Style of singing; the System of repertoire; the Mold of inheritance; Charisma
On the Family Structure of the Actor Class
(Shanghai Theatre Academy, Shanghai, 20040)
Abstract: Due to the special family structure of the actor class, the static external family structure is also of certain particularity, which varies from the relatively stable structure of traditional family. Firstly, the structure form is "two big and one small". "Two big" refers to the system of two big clans and extensive family. "One small" is the actor's own family structure after entering the opera. Secondly, the development process is "family unit and clan group". The development of the actor's clan from unit to group is the formation of the same-trade clan in the particular living environment. The special situation of the actor's clan is that the family members are developed in the same trade, which forms the family sturcture in the closed society. Thirdly, the basic pattern is "wide area and diluted power". The floating property of the actor's job characterizes the actor's family structure as "wide land and diluted power", in which the clan rules and the domestic disciplines are diluted because of the geographical space factor.
Key words: The actor class; Family structure; Two big and one small; Family unit and clan group; Wide land and diluted power
The Function of Taiyuanfu Theatre in Qing Dynasty
(Shanxi Radio & TV University, Taiyuan, Shanxi, 030027)
Abstract: In Ming-qing times and Qing dynasty, especially at the peak of new constructions in the Kang and Qian periods and redevelopment in the Daoguang period, the layout of stage was adjusted constantly. There were three kinds of "view" sites in Taiyuanfu theatre which gave priority to the temple theatre in Qing dynasty. The main body was the front open stage. There were a few theatres with balcony or hall for the audience. In many theatres, the entrance hall, the front porch directly opposite the stage, platform, etc. were set as the viewing places. It's a process to gradually understand the functional perfection of Taiyuanfu theatre in Qing Dynasty and put it into practice, which needs the interaction between craftsmen and villagers represented by the actor, the chief of She and headman-in-charge, as well as the communication and influence among different areas.
Key words: Qing Dynasty; Taiyuanfu theatre; Function
Discuss State Ideology Permeate the Drama Reform
（Television Drama Department, the Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010）
Abstract: Chinese traditional drama has thousands of years of history from birth until now. Past dynasties all used the drama as one of the effective ways to spread their political thoughts and attached great importance to the drama functions on propaganda and education. The Communist Party of China also fully understands the role of the traditional drama in the dissemination of ideology, so the government puts lots of manpower and material resources to carry out the drama reform movement after the founding of the People's Republic of China. The movement at that time not only started nationally drama reform upsurge, but also profoundly impactsed on the subsequent developments of the drama. As a result, it is an important part of the current research field in modern drama.
Key words: Drama reform; Ideology; Politicization
Discuss the Theory of "Inner Image"
(Television Drama Department, the Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract: The theory of "inner image" which is originated by Jiao Yu-yin makes a valuable contribution towards the Chinese modern drama and even the world of drama. The elaboration of this paper consists of three parts. The first part mainly shows that Jiao Ju-yin put forth and perfected the theory of "inner image" during four stages of the practice of artistic creation. The second part mainly discusses the connotation of the theory of "inner image" based on the similarities and differences among "inner image", "visual image", "model" and "ideal model". The third part focuses on how to apply the theory of "inner image" to the practice of artistic creation. In brief, the major problem of contradiction between the performer and role has been solved scientifically by using the theory of "inner image" and then the capabilities of performers of making the bold creation on the distinctive and characteristic stage image have been improved in the performing practice.
Key words: Jiao Ju-yin; the Theory of "inner image"; Nationalization; Imitation, Inner image
Discuss The Sexual Conflict in Suspense Movies of
the Early New Century
（Television Drama Department, the Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010）
Abstract:The beginning of the new century is an uncertain age. The situation of the reform and opening-up has been stable and the reforms have been deepening gradually. The Chinese material civilization is in a rapid development. And the reforms in the art field are also carried out in an all-around way. The many changes of Chinese movies, which are influenced by all kinds of reforms, make people dazzled. Among these many changes of Chinese movies, the suspense movie as a specific movie type makes people feel fresh. This movie type enriches the presentation on the sexual love entanglement. Although men and women are still in the dilemma of conflict as result that there is no a reasonable solution for the sexual conflict in the suspense movies, this kind of movie has positive significance in exploring the deep psychological motivation of men and women and analyzing the sexual desire.
Key words:Early new century; Suspense movie; Sexual psychology; Sexual conflict
Television Communication and the Development of
the Intangible Heritage Operas
——Thinking of the Development of Er-ren-tai Performing on Screen
WU Qiong-fang1YANG Chao2
(1.2. College of Liberal Arts of Inner Mongolia Normal University, The Department of Journalism,
Hohhot, Inner Mongolia, 010022)
Abstract: Nowadays the cultural products are increasingly rich, novel and attractive, but the further development of the intangible heritage operas that is distinctive local characteristics, is restricted. Under the background of the increasing improvement in intangible heritage protection, it is necessary to deal with the problem how to promote the development of the intangible heritage operas by using the television media. Taking the performing of the Er-ren-tai as the case, this paper sets forth the necessity and arduousness and analyzes the problems and suggestions of the performing of the intangible heritage operas on screen.
Key words: Television communication; Intangible heritage operas; Er-ren-tai; Performing on Screen
摘 要：形为物象，神为心智，气为传通。形、气、神三通是人类社会本然。“艺”是对于形物的美学驾驭，“艺”重“韵”， 让“形韵”、“气韵”、“神韵”自由流淌，交响共鸣。
Shape & Spirit And Art
(National Institute of Advanced Study in Social Sciences, Fudan University, Shanghai, 200433)
Abstract: Shape is the object image; spirit is from the mind; qi is the pathway. The three clear parts, shape, spirit and qi, are natural to the human society. "Art" reins the aesthetics of object and lays stress on "rhyme". Let the rhyme of "shape, spirit and qi" arouse the free resonance.
Key words: Shape & spirit; Art; Micro-sociology
Intangible Cultural Heritage of Jingdezhen Protection and
Heritage Based on Cultural Ecology
Li Songjie1.Li Xinghua2.
(1.2.Jingdezhen Ceramic Institute, Jiangxi Province Jingdezhen ,333403)
Abstract: Jingdezhen is the city of the Millennium Porcelain, and also as a typical city of Chinese ancient handicraft industry development. Jingdezhen saves and records the various factors, such as natural factors, historical factors and human factors related to ceramic production. Jingdezhen is a typical city of Chinese ceramic production of intangible cultural heritage. But during the process of development of modernization of Jingdezhen, much ceramic culture disappeared. The traditional production technology is being faced with the disappearance of the mechanization process, many dialects, customs and myths face extinction. The protection of Jingdezhen's intangible cultural heritage and inheritance based on the perspective of cultural ecology comes up with a new perspective in order to provide the significance for the protection of city development and culture.
Key words: cultural ecology, intangible cultural heritage, protection, heritage
An Investigation on the Musical Activities in Hohhot Mongolian Camp
(The Music Department of the Art College of Inner Mongolia University, Hohhot, Inner Mongolia，010010)
Abstract: With the rapid development of the social economy of Hohhot, the people's ethnic identity, local identity, and cultural identity are strengthening gradually. So, ranging in scale of the characteristics of each Mongolian restaurant, there appeared a variety of Mongolian music performances. The Mongolian performances have provided the operators of these establishments some economic benefits, through ingenious ways of business and marketing tools. A unique contemporary prairie city folk music and cultural life landscape have been created. Through a field investigation and analysis of the Mongolian Camp Art Troupe music activities, this paper will present the Mongolian restaurants of Hohhot, the Mongolian music business and the problems involved.
Key words: Hohhot; Mongolian Camp Art Troupe; Mongolian music culture products; fieldwork
The Station of the National Music Inheritance
——Art College's New Pattern of Creating A Music Cultural Heritage
（Art College of Inner Mongolia University，Hohhot, Inner Mongolia, 010010 ）
Abstract: The resources of a rich folk music-culture are distributed over China's frontier minority regions. The traditional arts include: the Mongol pastoral songs, chaoer, matouqin, khoomei. These are not only the most precious local, national cultural heritage of music, but also the common spiritual wealth of the Chinese nation and human pride. The protection, research and inheritance of this cultural heritage is a long-term and arduous project. After 53 years of practice and exploration, the Art College of the Inner Mongolia University has chosen the new inheriting music culture pattern-the station of national music inheritance. Thus, a relatively complete inheritance mechanism of national traditional music has been established, and the professional art college inheritance has become the important channel of the live inheritance of Mongol national music culture heritage. The college has therefore formed national-distinctive characteristics for successful operating a school. All of these have promoted the marked improvement of standards for college disciplines and the teaching quality.
Key words: national music cultural heritage, the station of national music inheritance, art college, live inheritance
A Study on the Cucurbit Flute Regarding the
Acoustics of Musical Instruments
Ouyang Pingfang1Zhang Yinghua 2
(1.2.Arts College，Guizhou University，Guiyang，Guizhou, 550003)
Abstract: The cucurbit flute is one of the musical instruments in Yunnan Province with the most national features. Unique craftsmanship and the people's specific aesthetic psychological needs create its full-bodied regional and national timbre. This thesis, from the perspective of acoustics of musical instruments, carries out an analysis on the instrumental structure, pronunciation principle and tone quality features of the cucurbit flute, which is of an important practical significance for further promoting the improvement and development of the cucurbit flute.
Key words: Cucurbit Flute; Acoustics of Musical Instruments; Pronunciation Principle; Instrument Improvement
A Research on Mongolian Folk Tunes among
the Xin Tian You in Northern Shanxi
（Conservatory of Music, Inner Mongolia Normal University, Hohhot, Inner Mongolia ,010022）
Abstract: The Mongolian folk song has played a strong role with its relatively stable characteristics during the transnational process and transcultural interaction. It has affected the folk music of the surrounding Han nationality area. For instance, Xin Tian You(a kind of Shanxi local melody) contains a large number of elements of the Mongolian folk songs. This article reveals the effects of Mongolian folk songs on the musical culture of surrounding areas through the lyrical and melodic contrast and its related reasoning of a few typical Xin Tian You songs.
Key words: Xin Tian You in Northern Shanxi; Mongolian folk song; effect; cultural fusion
摘 要：标榜着阿沃·帕特（P·rt Arvo ，1935-）独特音乐精神的钟鸣音乐，以其鲜明的风格与技法特征著称于20世纪西方音乐。对钟鸣音乐风格特征的探究自其诞生之日起也就不曾间断过。这种新音乐的风格是开放的、发展的，体现出“多样统一”的特征。本文尝试以围绕独具特色钟鸣作曲法为中心的技法风格为出发点，结合与之渗透的其它风格特征，将钟鸣音乐风格看成是一个主观和客观“对立统一”的合成型整体进行风格论述。
The Overall Style Characteristics and Origin of P·rt Arvo’s Tintinnabuli
(Music Department, Fujian Normal University, Fuzhou, Fujian, 350108)
Abstract: Because of the distinctive style and technique characteristic, tintinnabuli have well-known of western music in the 20th century which flaunting the unique musical spiritual of P·rt Arvo. The exploring of tintinnabuli’s style has not stopped from the date of its birth it. The style of this music is open， development that which reflecting the Law of Unity of Opposites. The paper combined with other style characteristics as an objective which infiltration to the tintinnabulation technique style as a subjective starting point, than discussing them overall style characteristics and origin of P·rt Arvo’s tintinnabuli as Unity of Opposites.
Key words: P·rt Arvo; tintinnabuli; Onomatopoeic style; The Avignon style; Neoclassicism; Serialism; Holy Minimalism
The Worship of "The Great Mother" In the East
And Its Myth Manifestation
(China Folk Culture Institute, Sichuan University, Chengdu, Sichuan, 610064)
Key words: The Great Mother, Reproductive worship, Myth, History of religion
The Tibetan Buddhism Factors in The Road to Heaven
（Yuxi Normal University ,Yuxi City,653100）
Abstract: Naxi and Tibetan have a deep origin. In the Naxi genesis CONGBANSHAO, Naxi, Bai and Tibetan are brothers."The Road to Heaven" is a scroll painting which the Naxi Dongba priest used in funeral ceremonies. It is generally used in a high-ranking dongba priests'funeral, but is not used in an ordinary funeral ceremony. Through "The Road to Heaven" , one can see that Naxi ancestors absorb and carry forward the positive factors of Tibetan Buddhism, to complement their ethnic culture.
Key words: The Road to Heaven, Naxi, Tibetan, Dongba relilgions,Tibetan Buddhism
Study on "Sun Festival" Temple Fair Culture in Nanpo Village in Baoji
(Fine Arts School, Chian West Normal University, Nanchong, Sichuan, 637009)
Abstract: Temple fair is an ancient religious culture phenomenon. Based on the field investigation of "Sun Festival" in Nanpo village, Jintai district, Baoji city, Shaanxi province, this paper concluds that "Sun Festival" in Nanpo village is relevant to "Sun-god" honored by Emperor Yandi Shennong, which is the folk memory of Emperor Yandi Shennong legend and the remain of the sacrifice to "Sun-god". "Sun Festival" temple fair must be held in Nanpo village every year. The activities organization and the equipments and products of the temple fair can play the social function in specifying, regulating, inheriting and condensing the countryside culture life.
Key words: Nanpo village in Baoji; Sun Festival; Temple fair; Emperor Yandi Shennong; Sun-god
Analysis on The Application of The Mongolian Traditional Culture
Elements in The Present Construction
——Cited Hohhot Urban Architecture As an Example
(Inner Mongolia Radio & TV University, Hohhot, Inner Mongolia, 010010)
Abstract: Through a field investigation on the application of Mongolian traditional culture elements in Hohhot city buildings, the paper analyzes and sums up the problems found in the survey. And it is desirable that this paper could bring much better ideas into the theoretical research of local architectural aesthetics.
Key words: Mongolian traditional culture elements, Urban architecture, Hohhot, Application
On the Contemporary Significance of Animation Characters
Design of Mongolian Folk Art Image
ZHOU Jin-yue1ZHOU Ke2
(The Art Department, Hulunbuir College, Hulunbuir, Inner Mongolia, 021008)
Abstract: In 1950s and 1960s, Chinese water-color animation was extremely popular at the time of the animation industry. Afterwards, it gradually moved towards the pursuit of technical breakthrough, while it ignored the reflection of native artistic character. As a result, the use of the national art image in the design of animination characters seemed to be a "conservative" retrograde step, but a compensation for the technical weakness in our national anination industry from the infectivity and shock of animation as well as the sense of national identity, so as to achieve twice the result with half the effort.
Key words: Folk culture; Folk art; Animation characters; New image of national animation
The interpretation of Niu Han 's poems about nature writing during
the period of "The Cultural Revolution of China "
Guo Xiu Qin
(Inner Mongolia Normal University, Inner Mongolia, Hohhot 010010)
Abstract: During "The Cultural Revolution of China " period, literature writing was rarelyabout the nature life under the coverage of dominant revolutionary ideology. The lack of green poetry is a basic characteristic and defects in this period. Although he was in adversity and suffered serious destruction, Niu Han from the July poets was keen to discover the relationship between man and nature and showed the precious life consciousness through the description of the animals and plants. With natural mind communication, he received peaceful comfort for his mind and powerful spiritual support.
Key words: "The Cultural Revolution" Period， Niu Han，animals， plants
Foundation of Diverse Perspective: A Study of
the Pu 'er Tea Consumption in Yunnan and Other Places (Two)
Written by ZHANG Jing-hong1, Translated by GUI2 Mu-mei HUANG Jun-jin3
(1.College of humanities, Yunnan University, Kunming 650091,
2.Yunnan Province, College of Liberal Arts of Beijing Normal University, Beijing 100875 ,
3.Art College of Inner Mongolia University, Hohhot, Inner Mongolia, 010010)
Abstract:In today's China, Pu 'er tea is one of the most popular teas. This paper will explore the different understanding of different groups and different locations at different times of the true Pu 'er tea. By showing the multiple angle of views, this paper holds that different tastes of Pu 'er tea is the results of the interaction between different self-voice; moreover, any kind of self-voice are not absolutely independent and self-sufficient, but included in borrowed, adjustment and was "re- reality."
Key words:Pu 'er tea; Yunnan; authenticity; diversification; interaction; self-voice
Art and Archaeology of The Xiongnu：New Discoveries in Russia
By Dr. Miniaev（Russia）, Translated by Ruixue, Proofread by Ge Siqi
(Institute of the History of Material Culture ,the Russian Academy of Sciences of St.Petersburg Russian Federation,199155)
Key words: Xiongnu art, archaeology, new discoveries